{"id":3348,"date":"2024-03-09T13:13:41","date_gmt":"2024-03-09T12:13:41","guid":{"rendered":"https:\/\/teatertidningen.se\/?p=3348"},"modified":"2024-03-09T13:15:21","modified_gmt":"2024-03-09T12:15:21","slug":"allt-for-affarerna-2","status":"publish","type":"post","link":"https:\/\/teatertidningen.se\/?p=3348","title":{"rendered":"Allt f\u00f6r aff\u00e4rerna"},"content":{"rendered":"\n<table style=\"width: 100%;\" border=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 50.119%; padding-right: 4%; vertical-align: top;\">\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><strong>Norrk\u00f6ping\/Link\u00f6ping<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00d6stg\u00f6tateatern kommenterar den kulturpolitiska orkan som bl\u00e5st in \u00f6ver \u00d6sterg\u00f6tland, med sin produktion\u00a0<em>Superkontoret \u2013 en kommunal f\u00f6rvaltningsrevy<\/em>. P\u00e5 detta kontor g\u00e5r kommunen och tillv\u00e4xten hand i hand.<\/p>\n<p>\u00a0<\/p>\n<p>Tillsammans med ensemblen har \u00d6stg\u00f6tateaterns chef Nils Poletti skrivit revyn, och \u00e4ven regisserat. Han f\u00f6rklarar i ett pressmeddelande att p\u00e5 Superkontoret \u00bbfinns inget arml\u00e4ngds avst\u00e5nd och h\u00e4r h\u00f6rs varje medborgares r\u00f6st, och alla f\u00f6rslag fr\u00e5n den kommunala f\u00f6rslagsl\u00e5dan tas p\u00e5 st\u00f6rsta allvar!\u00ab<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><span style=\"font-size: revert; font-family: inherit; font-weight: inherit; color: initial;\">.<\/span><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/td>\n<td style=\"padding-right: 1%; vertical-align: top; width: 49.4048%;\">\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<div id=\"attachment_3349\" style=\"width: 290px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-3349\" loading=\"lazy\" class=\"wp-image-3349\" src=\"https:\/\/teatertidningen.se\/wp-content\/uploads\/Superkontoret_FOTOSaraParlefalk_LR-1-300x214.jpg\" alt=\"\" width=\"280\" height=\"200\" srcset=\"https:\/\/teatertidningen.se\/wp-content\/uploads\/Superkontoret_FOTOSaraParlefalk_LR-1-300x214.jpg 300w, https:\/\/teatertidningen.se\/wp-content\/uploads\/Superkontoret_FOTOSaraParlefalk_LR-1-1024x731.jpg 1024w, https:\/\/teatertidningen.se\/wp-content\/uploads\/Superkontoret_FOTOSaraParlefalk_LR-1-768x549.jpg 768w, https:\/\/teatertidningen.se\/wp-content\/uploads\/Superkontoret_FOTOSaraParlefalk_LR-1-1536x1097.jpg 1536w, https:\/\/teatertidningen.se\/wp-content\/uploads\/Superkontoret_FOTOSaraParlefalk_LR-1-2048x1463.jpg 2048w\" sizes=\"(max-width: 280px) 100vw, 280px\" \/><p id=\"caption-attachment-3349\" class=\"wp-caption-text\">Foto: Sara P\u00e4rlefalk<\/p><\/div>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Denna syrliga samh\u00e4llssatir (som redan haft premi\u00e4r) spelas i Norrk\u00f6ping till och med den 23 mars och f\u00e5r premi\u00e4r i Link\u00f6ping den 20 april.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 Norrk\u00f6ping\/Link\u00f6ping \u00a0 \u00a0 \u00d6stg\u00f6tateatern kommenterar den kulturpolitiska orkan som bl\u00e5st in \u00f6ver \u00d6sterg\u00f6tland, med sin produktion\u00a0Superkontoret \u2013 en kommunal f\u00f6rvaltningsrevy. P\u00e5 detta kontor g\u00e5r kommunen och tillv\u00e4xten hand i hand. \u00a0 Tillsammans med ensemblen har \u00d6stg\u00f6tateaterns chef Nils Poletti skrivit revyn, och \u00e4ven regisserat. Han f\u00f6rklarar i ett pressmeddelande att p\u00e5 Superkontoret \u00bbfinns [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,3],"tags":[],"_links":{"self":[{"href":"https:\/\/teatertidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3348"}],"collection":[{"href":"https:\/\/teatertidningen.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatertidningen.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatertidningen.se\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/teatertidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3348"}],"version-history":[{"count":8,"href":"https:\/\/teatertidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3348\/revisions"}],"predecessor-version":[{"id":3357,"href":"https:\/\/teatertidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3348\/revisions\/3357"}],"wp:attachment":[{"href":"https:\/\/teatertidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatertidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatertidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}